mornin"$503714$ - definizione. Che cos'è mornin"$503714$
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Cosa (chi) è mornin"$503714$ - definizione

OPENING SONG FROM THE MUSICAL OKLAHOMA!
Oh What a Beautiful Mornin'; O What a Beautiful Mornin'; O What a Beautiful Morning; O, What a Beautiful Mornin'; O, What a Beautiful Morning; Oh, What a Beautiful Morning; Oh! What a Beautiful Mornin'; Oh! What A Beautiful Mornin'

Daniel Mornin         
BRITISH WRITER
Mornin, Daniel
Daniel Mornin (1956-2014) was an Irish playwright, screenwriter and novelist writing about contemporary Ulster.
6 in the Mornin'         
1986 SINGLE BY ICE-T
6 In The Mornin'; 6 'n the Mornin'; 6 In the Morning; 6 in the Mornin
"6 in the Mornin'" is a song by Ice-T. Released in 1986 as the B-side of "Dog 'N the Wax (Ya Don't Quit-Part II)", the song is considered to be one of the defining tracks of the gangsta rap genre.
Early Morning Rain         
ORIGINAL SONG WRITTEN, COMPOSED, AND PERFORMED BY GORDON LIGHTFOOT
Early Mornin' Rain; Early Morning Rain (song)
"Early Morning Rain," sometimes styled as "Early Mornin' Rain," is a song written, composed, and recorded by Canadian singer-songwriter Gordon Lightfoot. The song appears on his 1966 debut album Lightfoot!

Wikipedia

Oh, What a Beautiful Mornin'

"Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical. The refrain runs: "Oh, what a beautiful mornin'! / Oh, what a beautiful day! / I've got a beautiful feelin' / Ev'rythin's goin' my way." Curly's "brimming optimism is perfectly captured by Rodgers' ebullient music and Hammerstein's buoyant pastoral lyrics."

This was the first song of Rodgers and Hammerstein's musical collaboration to be heard by theatre audiences. It has become one of their most famous numbers and "quickly became one of the most popular American songs to emerge from the wartime era, gaining currency away from Broadway first on the radio and recordings, and then later on numerous television variety shows." Brooks Atkinson, reviewing the original production in The New York Times, wrote that the number changed the history of musical theatre: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable."